January 25 - Show #71

Theme: Chin chon chow – Louie Ramírez

Song-Artist-Album-Label

Bella cosa – Mambo Zombies – MZ3 – Self-produced album: www.MamboZombies.com

Gospelanza – Irakere – Cuba Libre – Far Out Recordings

Namesake – Ray Mantilla – Good Vibrations – Savant Records

La escuela – Wayne Wallace Latin Jazz Quintet – To Hear From There – Patois Records

Perdido – Wayne Wallace Latin Jazz Quintet – To Hear From There – Patois Records

Pan Wisdom – Phil Hawkins and his ensemble – Sugarcaine Suite – P. Note Music

Paco & Dave – The Caribbean Jazz Project – The Caribbean Jazz Project – Heads Up
International Ltd.

Métisse – Omar Sosa – Live à FIP – Otá Records

Manteca – Michel Camilo – Thru My Eyes – RMM Records

Alfonsina y el mar – Diego el Cigala – Cigala & Tango – Gran Vía Musical de
Ediciones S.L.

Dos gardenias – Diego el Cigala – Cigala & Tango – Gran Vía Musical de Ediciones S.L.

Ojos verdes – Martirio & Chano Domínguez – Acoplados – RTVE Música

Pasa la vida – Pata Negra – Blues de la Frontera – Nuevos Medios

Arabesque – Nicola Conte – Bossa Per Due – Eighteenth Street Lounge Music

This is what you are – Mario Biondi – Handful of Soul – Schema Records


Highlights of the show:

Two tracks from the latest album by the Latin jazz sensation from the West Coast area has been aired tonight as the official release of ‘To Hear From There’ in the North-East Texas airwaves.



Wayne Wallace Latin Jazz Quintet 2011 album ‘To Hear From There’ has been another musical asset as expected from the artistically high standards by Wayne Wallace. Released in his own label, Patois Records, this new album is a flow from his previous and acclaimed work ‘¡Bien! ¡Bien!’ So, it is very likely that good things (awards, recognition…) are in store for this album. Putting together an ensemble well known in his career, as Paul van Wageningen at drums or Michael Spiro at percussion, the tunes show a well-done job by musicians who know well what terrains they are passing across. More than half of the eleven tracks are composed by Wayne Wallace, making renditions to Tito Puente or Gilberto Valdés compositions, and covering the Cuban classic ‘The peanut vendor’. All the themes keep an overall homogeneous flow of rhythm and quality making the whole piece stands by itself. Wayne Wallace and his ensemble know well the Latin jazz language which is the first feeling one has at listening. He remarkably approaches the Cuban tradition in ‘The peanut vendor’ rendition, or the Afro Cuban of ‘Ogguere’. This album lets more Cuban related topics in than previous works by Wayne Wallace. ‘¡Bebo ya llegó!’ is a tribute to Bebo Valdés, keeping up the spirit of Bebo´s style. In general terms, here we have another great piece of Latin jazz, which definitively stands up to what Wayne Wallace have accustomed us along his years in the musical scene, making the San Francisco Bay Area a reference for contemporary Latin jazz.