August 3 - Show #56

Theme: Chin chon chow – Louie Ramírez

Song-Artist-Album-Label

Subway Joe – Joe Bataan & Los Fulanos – King of Latin Soul – Vampisoul

Do the boogaloo – Pete Rodríguez y su conjunto – Bogaloo The Rough Guide to Bogaloo –Rough Guides/World Music

Soul nitty gritty – Ralph Robles – Bogaloo The Rough Guide to Bogaloo – Rough Guides/World Music

Latin thing – Benítez – Playtime 17 Pure Latin Tracks Latin Soul Boogaloo – Hi & Fly Records

Every Monday – Manteca – Tremendo Boogaloo – Freestyle Records

Cachaíto in laboratory – Cachaíto López – Cachaíto – World Circuit/Nonesuch

Anaís – Cachaíto López – Cachaíto – World Circuit/Nonesuch

A gozar con mi combo – Cachao – Master Sessions Vol. 1 – Epic Records/Sony

We are our father’s sons – McCoy Tyner – McCoy Tyner and The Latin All-Stars – Telarc Jazz

Encuentro – Mark Weinstein – Timbasa – Jazzheads

El son te llama – Orchestra Baobab – Specialist in all styles – World Circuit/Nonesuch

Hommage à Tonton Ferrer – Orchestra Baobab – Specialist in all styles – World Circuit/Nonesuch

Jiin Ma Jiin Ma – Orchestra Baobab – Specialist in all styles – World Circuit/Nonesuch

Mani mani kuru – Ketama & Toumani Diabaté & Danny Thompson – Songhai – Hannibal Records

Comparito – Diego Amador – Piano Jondo – Milestone Records/Nuevos Medios

Nefertiti – Chano Domínguez – NFS New Flamenco Sound – Verve

Una noche sin ti – Yuri Juárez – Afroperuano – Saponegro Records


Highlights of the show:

A complete three-song set has been dedicated in today´s show to the Orchestra Baobab, the legendary Senegalese Afro-Latin band. Among many other tunes dedicated to the Cuban musical heritage, it was a worthwhile stop and see inside this album to check on a truly fusion of styles and traditions.



“Specialist in All Styles” is the 2002 album by Orchestra Baobab, released by Nonesuch Records. This a band originally from Senegal and their music can be classified (if you like to tag everything) as Afro-Latin. This is, Latin music made by African musicians, where you may guess, different kinds of styles and musical heritage are foreseeable going to a crucible that may not always bring a good result. Orchestra Baobab is a legendary band originated in Dakar, Senegal in the decade of the 1970´s, which from 1987 to 2001 was apparently out of businnes. It came back strong again with this album here reviewed and it´s still very healthy, internationally touring around. In late 60´s and 70´s, Latin music was well accepted in some West Africa countries like Senegal, Benin, or Gambia. Bands were formed which assumed this sound as their own and reinterprete it fusioned to their musical heritage. Orchestra Baobab was one of this band, and possibly the most popular. Many musicians from different cultural heritages out of Senegal form the band, singing usually along the Wolof and the Mandinga cultures and languages. Musically they lack the complex Latin percussion, but they adjust very well to the particular Cuban “son” style. In “Specialist in All Styles”, they do an outstanding version on the classic “El son te llama”, in Spanish. The lately popular Cuban musician Ibrahim Ferrer is the guest artist in “Hommage à Tonton Ferrer”, another remarkable tune in this album. The opening track “Bul ma miin” is a very catchy tune that sets a happy tone to the whole album. And so the music goes in a festive atmosphere, combining a mid-tempo beat and nice and clear guitar plucking, getting along with the Cuban rhythm of “son”. Brass comes at the right times. “Specialist in All Styles” was produced by the internationaly famous and acclaimed Yossou N´Dour, and that may explain the comeback of the band after being gone some twelve years. A recomendable album to explore the results of fusion and being admired for the long way run of the influence of Cuban music (which was influenced by African sounds in a first place).